Extract From Field Recording Archive: Reflection-Revisiting (CD)
This single album, 'Reflection-Revisiting', contains Toshiya Tsunoda's recent recordings from 2007-2018, in which he revisited some of the original port areas, looking for a certain continuity between his ideas in the past and the present, while also discovering the differences between the two periods.
*This is a single CD, the same content as Disc 5 of Tsunoda's 5CD box set 'Extract From Field Recording Archive'.
*5CD box set is OUT OF PRINT.
For lossless (16/44) files, go to this page.
1. Vibration of the mooring rope of a fishing boat at anchor
2. Vibration through long and thick rope at seashore
3. Inside of a pipe at the seashore
4. A pipe and the water flow
5. Clapping echoing inside a pipe
6. A bottle at the breakwater #1
7. A bottle at the breakwater #2
8. Solid vibration from the concrete pavement of a pier where the fish market used to be held
9. Mooring line and road surface
10. Inside the former fish market
11. Solid vibration on the road surface near the exterior wall of the ice-making facility #1
12. Solid vibration on the road surface near the exterior wall of the ice-making facility #2
13. On the edge of the shore
(released November 15, 2019)
recorded and edited by Toshiya Tsunoda in 2018
mastered by Taku Unami and Toshiya Tsunoda
photography by Atsushi Tominaga
design by Yuko Zama
produced by Jon Abbey and Yuko Zama
p+c 2019 Erstwhile Records
Toshiya Tsunoda is a Japanese sound artist whose quarter century of exploration into field recording has been a huge influence on many other great artists working in similar territory. His archival series of three themed sets of field recording studies, released on three different labels from 1997 to 2001, 'Extract From Field Recording Archive #1-#3”, lay the groundwork for so much of what followed, both from Tsunoda and many others.
This disc, 'Reflection-Revisiting', contains more recent recordings from 2007-2018, in which he revisited some of the original port areas, looking for a certain continuity between his ideas in the past and the present, while also discovering the differences between the two periods.
"My purpose for these recordings in the nineties was to observe vibrations, and at the same time to find the observation point for each recording. For some very subtle, inaudible vibrations, a special method of observation such as installing a contact microphone inside a bottle or a particular observation point is required. It can be said that the object of the vibration and the act of observation are inseparable. I think that it is not really 'detection' or 'documenting', but is more likely closer to 'depiction'. The word 'depiction' has a nuance of both watching and portraying an object simultaneously."
"By using small microphones and contact microphones, I tried to detect vibrations that were integrated with the presence of the place, like the vague images existing in the lowest layer of our perception. The space that could be observed in this way was quite different from how we perceive the actual place as a space." (from liner notes of Extract From Field Recording Archive 5CD box set by Toshiya Tsunoda)